The SAA
Full of ideas, hints and tips as well as lots of examples - landscapes, townscapes, people, buildings, water and trees, this book contains no fewer than 25 demonstrations. In each of them Geoff isn't concerned with the process of painting so much as the way a scene can be interpreted - what to put in, what to leave out or where to crop the view.
Leisure Painter, The
January 2015
In his introduction, Geoff Kersey explains that the idea for his latest book, Painting Successful Watercolours from Photographs, grew out of his classes, where he would find suitable photographs for his students to paint then show them how to go about turning the photographs into painting. Although many people choose to work from photographs many struggle to paint successfully from them. Here, Geoff shows us how to do it. Opening chapters deal with materials you'll need to get started and some basic painting techniques, before moving on to the first project - a lake in spring. Geoff shows you exactly how he extracts the information he wants from the photograph. There are 27 studies in total - all accompanied by photographs, sketches, details, diagrams and colour charts with subject ranging from a London park to Vernazza in Italy; a hillside village to a Mediterranean street cafe. The book closes with a few photographs for you to work from on your own using the skills Geoff has taught you.
Artbookreview.net
November 2014
This isnt the first book on painting from photographs, but it is certainly one of the best. In his introduction, Geoff is careful to say that it is not about photography itself and that, indeed the photos illustrated may not even be the best. They are, however, representative of the sort of thing you may find in your own collection. Some may have been taken with an idea of using them as a snapshot sketch, some are a quick record of a scene or a place taken, well, just because. Others may be wrongly lit or too complicated to make a good painting.
I think its also fair to say that this is not a book about how to paint, insomuch as theres an assumption that you know the basics, or have other guides. What you get is much more useful than that: a guide to how to make a successful painting from a photograph. Any photograph. What to include, what to leave out, how to change the lighting or move elements of the composition. The nearest you get to conventional instruction is a note of the palette used, which is very handy as photographs can be misleading (or even simply too dark) in this area.
There are twenty-five demonstrations in all, which also tells you that there are not masses of step-by-step details, just the salient points. Subjects cover landscapes, waterscapes, buildings, people, large vistas and intimate corners. Just about everything, in fact. Bit of a masterclass, actually. You can read more reviews here http://artbookreview.wordpress.com/
