The Artist
Dec 2016
Billy Showell has written a number of books on flower painting but these have so far concentrated on the less formal flower portrait. Where this one differs is that is approaches it entirely from the technical side. You'll look in vain for specific examples. As well as avoiding repeating what has already been said, this method fills the inevitable void left by the specimen-led way of working. It is not, however, a primer in flower painting. For all the attention given to negative shapes, brushwork and colour mixing, this is not a book for the complete beginner. In order to tackle the discipline of botanical illustration, you need to be competent and confident with your style and your materials. Informative, practical and rewarding, this meets a long-felt need.
Anne Chalkley
This is a beautifully presented book, lovely to look at, but even better than that every page is full of clearly written, simple to understand information and techniques about the subject. It covers everything from the choice and use of materials to a range of drawing and painting skills which cover every technique one would need to paint any type of plant or flower. The techniques for handling watercolour, the flow etc would be useful for anyone learning to use this medium in any form, not just botanical paintings. I found the section on colour mixing particularly good and very comprehensive, especially the mixing blacks chapter. It is one of the few books which actually acknowledges that mistakes happen, even to the best, and explains various methods of correction, and also that it takes practice to achieve these type of results. I wish it had been available when I started with botanical illustration several years ago, I think life would have been a bit easier, in short its a fabulous book, extremely informative and beautiful to look at.
Hazel Walters
Stunning and beautiful book I love it!
Mary-Christine Levett
A beautiful and comprehensive book for both beginners in botanic art and for the more experienced artist. There is something here for everyone.
Karen Platt -yarnsandfabrics.co.uk
Discover many step-by-step studies in this wonderful book, illustrated throughout and learn how to paint the plants you love - there is a wide range of flowers, foliage, fruits and combinations of flowers. The Contents include Getting Started, Working From Life, Observation, Drawing, Using a Brush, Painting Techniques, Troubleshooting, Painting Detail, Adding Pattern, Creating Texture, Painting Multi-Headed Flowers, Painting From Enlarged Photographs, Colour and Colour Mixing, Composition and Stretching and Finishing. It provides tips and techniques throughout such as how to keep stems fresh when painting from life. This book is like a how-to of all the things you have ever wanted to paint - how to remove a bloom for instance or how to create a prickly surface or which brush to use. The medley of daffodils is fabulous and the purple and blacks are sumptuously captured. A great guide for all who love botanical painting.
Artbookreview.net
Exquisitely presented and beautifully painted, if you ever wanted something to encourage you to start botanical painting, this would be it.
For such a specialist, technical subject theres a surprising number of books on botanical art. Im not talking about flower painting in general there are even more of those! but ones that specifically identify themselves as belonging to the genus of scientific representation. We could quibble over how many are actually that deeply technical. In its pure form, botanical illustration is used to aid identification and has very specific requirements. For a start, you dont paint a single example, but rather include specific characteristics that a worker in the field would look for. This may then be used to identify an existing species in an unknown location, or maybe a new one altogether.
Ive always divided botanical art into three genres. We start with flower painting, where the purpose is to produce something that looks like what its meant to represent without necessarily getting every petal perfect, and where the flower itself may not be the main subject. Then theres the flower portrait (Billy Showells previous speciality), where detail becomes more important and the subject may be a single stem. Finally, theres botanical illustration, which we dealt with above.
This book adds, I think, a new dimension: botanical art that goes into considerable detail, but isnt obsessed with total scientific accuracy and can be a record of the single example you have in front of you. As such, its ideally suited to the artist who isnt a scientist but nevertheless enjoys at least some of the perfectionism that goes with full-on illustration.
The book is a joy to handle and very thoroughly illustrated, going into plenty of detail regarding the stages of completing a painting. This includes not only step-by-steps, but also examples and technical exercises that deal with things like water droplets which are well outside scientific work. Its inspiring, enjoyable and very thorough.
